After experiencing the Tunnel of Oppression we remain
firm in our belief that this program, and others like it do not fit
the Beyond Compliance (BCCC) agenda for diversity programming. Our vision
of disability education includes programs and events with three tiers
of goals. All programs should, at least, meet the first goal. We strive
to meet the others as well.
Goal 1: Programs are centered on real lived experiences.
Goal 2: Programs challenge the participant to examine
their own behavior within appropriate social constructs.
Goal 3: Programs ultimately move the participant
to act to break down stereotypes and barriers between people.
The Tunnel of Oppression does not meet any of our goals.
Let’s look at the Tunnel goal by goal.
Goal 1: Programs are centered on the real lived
experiences (of individuals with disabilities or the characteristics
being represented.)
The scenes presented in the Tunnel all depicted events
that do happen. However, they were not based on specific true instances
– they all dealt in simplified and stereotyped representations
of situations. This combined with the level of theatricality employed
to create a visceral response made the scenes appear overly dramatic
and harder to believe. It created a process of othering in which it
was difficult to identify with any of the characters in the scenes.
In fact, students we spoke with stated that the tunnel felt unreal and
that they did not believe the scenes represented happened. We will address
three instances individually:
The representations of disability (learning disability
and visual impairment) and linguistic minority that were presented during
the instructions phase of the Tunnel were not based in real experiences
of people with disabilities. Dyslexia, other print-based learning disabilities,
and low vision are manifest in ways that cannot be captured by an able
reader’s inability to read a short set of instructions. Dyslexia
is more than reversed letters or “words jumping around on the
page.” The inability to read a three paragraph page does not touch
on the feelings of a person who has struggled to access the print-based
world for an entire life time and come up with a life-time’s worth
of coping mechanisms. It only minimizes the importance of the disability
in the individual’s life. This falls into the category of simulation.
The scene from “The Accused” portraying
a gang rape on a pinball machine was a horribly violent representation
of rape that no one could help but have a visceral reaction to. Watching
this scene did not inform anyone’s knowledge of how to deal with
rape including date rape, how to help a friend, how to prevent rape,
or how to address a culture in which this happens. Furthermore this
did not represent the more common experience of date rape. Sexual coercion
is often subtle, slowly undermining the individual’s determination
to set boundaries. This portrayal made it difficult to identify with
either victim or perpetrator even if one may (as may be likely) have
experience with sexual coercion. It would be easy for a person to deny
how they may participate in rape culture because they have not participated
in gang rape, and it may be difficult for a victim of date rape to feel
justified or supported since her rape experience was not so clear cut.
We might add that The Accused is a good movie that addresses how victims
and others may speak back to rape and be an agent for change. This message
was lacking in this out-of-context scene. In fact, lack of context caused
it to be comprable to a pornographic rape scene.
Much like the rape scene, the body image scenes did
not allow space for a person to have difficulties with body image and
self-esteem without it being escalated to the level of bulimia or steroid
use. Eating disorders are often not about body image but more complex
issues of control. Again, presenting only the extreme made it easy to
deny the more common and no less important experiences.
We feel that these scenes were not based on specific
real lived experiences. As stated before, the sensationalism and theatricality
harmed rather helped people’s understanding. The black lights
and strobe lights do not facilitate understanding of oppression. These
theatrical tools manipulate the participant to experience a more powerful
emotional response. This does not translate into meaningful content;
instead it serves to trivialize the experience. The scenes were simplified
and artificially separated into specific issues (ex: male body image,
religious prejudice, LGBT students); this compartmentalization of the
Tunnel hindered the understanding of the complexity and intersection
between identity categories. A final objection to these simplified representations
is that they left out the positive side of identities, the pride in
the diverse cultures or representations of how individuals can be agents
for change rather than victim. There is always hope, even in instances
of bulimia, rape, racism, etc. We felt these scenes effectively removed
the hope from these situations to isolate it and present it as something
separate in the “Room of Hope.”
Goal 2: Programs challenge the participant to examine
their own behavior within appropriate social constructs.
The organizers of the Tunnel of Oppression have emphasized
the debriefing session as an important part of contextualizing the program.
We felt that the debriefing does not lead students to examine their
own behavior and how they may be participating in the oppression of
others. The discussion that one of our participants witnessed maintained
that oppression was viewed as something that happens to other people
by other people. There was no discussion of social and cultural constructs
that permit oppression. Because students were directly instructed not
to take action, not to touch or interact with the actors, they were
confined to the role of voyeur. This allows the student to see the characters
represented as other than them. The “othering” was clearly
seen in the small group discussion, there was no ownership of being
part of this culture.
Goal 3: Programs ultimately move and enable the
participant to act to break down stereotypes and barriers between people.
Students were asked, during the debriefing, “What
is your responsibility in addressing these issues?” The response
was to work one on one to educate people. Though well intentioned, there
was no discussion of specifically how to do this, students were not
asked for their commitment to a specific action, nor was there any concrete
discussion of what this education might look like. There was nothing
that would lead an observer to believe that the Tunnel of Oppression
served as an effective call to action.
Additional Comments:
The Tunnel is a haunted house of victims. The perpetrators
of the violence were, in many cases, invisible. The ones who were present
could easily be seen as individual jerks. We do not feel that the Tunnel
made a clear link between the violent and sad scenes it portrayed and
the larger issues of power and oppression.
A program’s popularity should not be equated
with effectiveness. The fact that it is powerful does not make it educational.
A visceral response is not necessarily a valuable one. In fact, some
emotions may actually impair one’s ability to think rationally,
observe critically, and analyze experiences.
We must lament the fact that this program was embarrassingly
inaccessible to people with disabilities, especially visual or hearing
impairments. In this way it embraced and supported the oppression it
was attempting to combat.
Recommendations:
We have seen (and created) programs on campus that
represent diversity in ways we support. Guest speakers, like Judy Shepard,
theatrical presentations like The Vagina Monologues and The
Laramie Project, film presentations like our Disability in Film
series and a similar LGBT series this Spring, and discussion based programs
like Talk to Me to Get to Know Me all lead to students having a real
understanding of diverse cultures. We support more programs, like these,
that meet our programming goals. In addition, for further information
we have attached an excerpt from the Anti-Defamation League’s
philosophical framework on effective diversity programming.
We believe the Tunnel of Oppression is potentially
harmful in its simplifications of oppression. This program was not solution
based. We cannot support this program, or others like it, happening
at Syracuse University. We have worked hard to try and present clearly
both our objections and goals. We hope our thoughts will be received
in the spirit of constructive criticism and feedback. We are happy to
work with organizations in the future to create programming.